Stylistic Sets: Font designers often create pleasing combinations of alternates for you and collect them into what’s known as a stylistic set.
InDesign helpfully shows previews of some of the alternate glyphs. These are the advanced OpenType options for the text in the Warnock Pro font used in this text frame. Click on any combination of alternates to apply them. Selected text frame: To see all the alternate options for the text in an entire text frame, select the text frame and click on the O badge. It can also apply true small caps to the selection. The Warnock Pro OpenType font has an alternate swash glyph for the “d” in the selected text. Click the O badge to see that text with various combinations of alternates. Selected text: To see alternates for a selection of text, select the text.
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As shown here, InDesign can get confused and revert the second ordinal character in previous ordinals back to its full size. Be careful when converting several ordinals positioned next to each other. IDGĬonverting typed fractions to true OpenType fractions (left), and converting ordinals (right). Use the same technique for ordinals such as 2nd, 3rd and 4th. Its true fractional form will display and you can click it to apply it. The letter A in the Adios Pro advanced OpenType font has several alternate glyphs.įractions and Ordinals: To change the format of a typed fraction such as 3/4 or 5/8 to a true fraction, select the typed fraction and click on the O badge. Hover over the selected character to see its alternates appear below the character. One character: To see alternates for a selected character, select only that character.